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1，英语毕业论文范文

开放式教育英语毕业论文

英语毕业论文范文

2，论文英语一万字左右转换成中文是多少字

论文英语一万和单词左右转换成中文是大概也在一万字左右，加上标点符号也算的话会多一点

论文英语一万字左右转换成中文是多少字

3，我想请问一下1万2千字的论文指的是全文包括abstract和

一般说论文字数都是单指正文。无论三千字的论文还是几万字的学位论文都一样。

我想请问一下1万2千字的论文指的是全文包括abstract和

4，本科英语论文写了一万多个字

可以商务英语本科毕业的论文字数大概在5千到8千左右作为商务英语本科的学生，在毕业之前必须要撰写相应的毕业论文对于本科的学生来说，毕业论文可能是一件非常头痛的事情，因为在字数上有严格的限定，至少要达到5千到8千字左右，这样才能被称为一篇合格的论文，才能够顺利的通过答辩

5，Word编辑的一万字的英语论文有几页

就5000字的论文来说，如果论文中每段字数少，总体页数会多些，还有排版是5号字只是说正文，那标题用一级、二级标题格式来版也会再很大版面，所以这是个综合的问题。要说大概就是5、6页了。

6，求一篇8000到10000字左右的英语论文关于文学题材的就行要全英文的

1.苏东坡的文学背景和他的赋SU TUNG-POS LITERARY BACKGROUND AND HIS PROSE-POETRY by Qian Zhongshu (Primarily written as a foreword to “Su Tung-Pos Prose-poems” translated into English With Notes and Commentaries by C. D. Le Gros Clark, this is published here by kind permission of Mr. Le Gros Clark. Those who are interested in textual criticism may consult Mr. Wu Shih-changs review in Chinese which appeared in The Crescent Monthly, Vol. IV, No. 3. –Ed.)Of the Sung dynasty, it may be said, as Hazlitt said of himself, that it is nothing if not critical. The Chinese people dropped something of their usual wise passiveness during the Sung dynasty, and “pondered, searched, probed, vexed, and criticized”. This intellectual activity, however, is not to be compared with that of the Pre-Chin period, the heyday of Chinese philosophy. The men of the Sung dynasty were inquisitive rather than speculative, filled more with a sense of curiosity than with a sense of mystery. Hence, there is no sweep, no daring, no roominess or margin in their intellectualism. A prosaic and stuffy thing theirs is, on the whole. This critical spirit revealed itself in many directions, particularly in the full flourish of literary criticism and the rise of the tao-hsüeh （道学）, that mélange adultere of metaphysics, psychology, ethics and casuistry.Literary criticism in China is an unduly belated art. Apart from a handful of obiter dicta scattered here and there, Liu Hsiehs Literary Mind （刘勰文心雕龙） and Lo Chis A Prose-poem on Literature （陆机文赋） are the critical writings that count up to the Sung dynasty. There is Chung Yungs Classification of Poets (钟嵘诗品) of course. But Chung Yung is a literary genealogist rather than a critic, and his method of simply dividing poets into sheep and goats and dispensing praise or dispraise where he thought due, is the reverse of critical, let alone his fanciful attempts to trace literary parentages(1). Ssu-Kung Tus Characterisations of Poetry (司空图诗品) is a different matter(2). Ssu-Kung Tu seeks to convey purely with imagery the impressions registered by a sensitive mind of twenty four different kinds of poetry: “pure, ornate, grotesque,” etc. His is perhaps the earliest piece of “impressionistic” or “creative criticism” ever written if any language, so quietly ecstatic and so autonomous and self-sufficient, as it were, in its being but it fails on that very account to become sober and proper criticism. It is not until the Sung dynasty that criticism begins to be practiced in earnest. Numerous “causeries on poetry” （诗话）are written and principles of literature are canvassed by way of commentaries on individual poets. Henceforth, causeries on poetry become established as the vehicle for Chinese criticism. One must note in passing that there do not appear professional critics with the rise of criticism. In those good old days of China, criticism is always the prerogative of artists themselves. The division of labour between critics and artists in the West is something that the old Chinese literati would scoff at. The criticism of Sung dynasty, like all Chinese criticismsbefore the “New Literature Movement” with the possible exception of Hsiehs Literary Mind, is apt to fasten upon particulars and be given too much to the study of best words in best places. But it is symptomatic of the critical spirit, and there is an end of it.The Chinese common reader often regards the men of the Sung dynasty as prigs. Their high seriousness and intellectual and moral squeamishness are at once irritating and amusing to the ordinary easy-going Chinese temperament. There is something paralyzing and devitalizing in their wire-drawn casuistry which induces hostile critics to attribute the collapse of the Sung dynasty to its philosophers. There is also a disingenuousness in their attempts at what may be called for want of a better name, philosophical masquerade: to dress up Taoism of Buddhism as orthodox Confucianism. One need but look into Sketches in a Villa（阅微草堂笔记）and Causeries on Poetry in a Garden（随园诗话） to see what a good laugh these two coxcombs of letters, Chi Yuen （纪昀） and Yuan Mei （袁枚） have had at the expense of the Sung philosophers and critics respectively. Nevertheless ofe is compelled to admit that the Sung philosophers are unequalled in the study of mental chemistry. Never has human nature been subject to a more rigorous scrutiny before or since in the history of Chinese thought. For what strikes one most in the tao-hsüeh is the emphasis on self-knowledge. This constant preying upon itself of the mind is quite in the spirit of the age. The Sung philosophers are morbidly introspective, always feeling their moral pulses and floundering in their own streams of consciousness. To them, their mind verily “ a kingdom is”. They analyse and pulverize human nature. But for that moral bias which Nietzsche thinks to be also the bane of German philosophy, their vivisection of human soul would have contributed a good deal to what Santayna calls literary psychology.The poetry of the sung dynasty is also a case in point. It is a critical commonplace that the Sung poetry furnishes a striking contract to the Tang poetry. Chinese poetry, hitherto ethereal and delicate, seems in the Sung dynasty to take on flesh and becomes a solid, full-blooded thing. It is more weighted with the burden of thought. Of course, it still looks light and slight enough by the side of Western poetry. But the lightness of the Sung poetry is that of an aeroplane describing graceful curves, and no longer that of a moth fluttering in the mellow twilight. In the Sung poetry one finds very little of that suggestiveness, that charm of a beautiful thing imperfectly beheld, which foreigners think characteristic of Chinese poetry in general. Instead, one meets with a great deal of naked thinking and outright speaking. It may be called “sentimental” in contradistinction to the Tang poetry which is on the whole “na?ve”, to adopt Schillers useful antithesis. The Sung poets, however, make up for their loss in lisping naivete and lyric glow by a finesse in feeling and observation. In their descriptive poetry, they have the knack of taking the thing to be described sur le vif: witness Lo Yu (陆游) and Yang Wan-li （杨万里）. They have also a better perception of the nuances of emotion than the Tang poets, as can be seen particularly in their Tsu （词）, a species of song for which the Sung dynasty is justly famous(3). Small wonder that they are deliberate artists, considering the fact that they all have been critics in the off hours of their inspiration. The most annoying thing about them is perhaps their erudition and allusiveness which makes the enjoyment of them to a large extent the luxury of the initiated even among the Chinese. （3000字）还有一篇在玩偶之家的身份抗争（6000字）和一篇马丁路德金的《我有一个梦》文体分析（10000字）如果需要就麻烦您告诉我您的邮箱，再给您发过去。

7，英文论文一万字是指一万个词还是翻译过来一万个字

英文字数也是单词数 比如 mother 就是一个单词 一个字数但是也可能是字符数 比如 mother 字符数就是6个 所以你这个你得问清楚呢 说的也不是很明白的
您好！这里指的是英文单词但是其实没有那么严格的，写道9000千就差不多可以了谢谢

8，多少个中文字能翻译成一万字英文要写1W字英文论文不知中文的

3000多个字就差不多了，我们毕业外文翻译差不多就这样的，10000多个字的英文翻译下来就3000多个字，谢谢采纳
3万吧
一万左右 。
那就要看你一个单词有多少词了取个中吧以一个单词6个词算的话正好5万不过是大约
1.5 万字左右也就够了。如果不放行的话，1.7 万字绝对就够了。

9，英文议论文

、 The protection of enviroment The earth scale change of climate has brought a new kind of natural disaster and the developed and complicated city system is holding a latent risk of expanding the damage artificially. Also people has been spoiling the health since the immense quantity of chemicals have been produced and already used in pursuit of convenience and various toxic substances have been produced unintentionally and accumulated in environment. Therefore, We need some countermeasures from the viewpoint to prevent the city environment form disaster and to manage environmental risks. So we will develop and improve a new risk management system and a disaster prevention system to preserve and create the city environment where people feel easy and sound in their life. 你看着删减点也行.~

10，想要一篇英语论文 以 学好知识 改变命运 为中心的 一篇英语论文

How to see the fate? There is no consensus among people about fate. Some people think ones fate is destined while he comes into the world. Simultaneously, some people think ones fate is controlled by himself . The former always think only rare people is lucky and destined. Hence, when opportunity comes, they usualy let it be rather than take effective measure, and say fate is unfair to them. On the contrary, quite a few people claim that fate is unfair to everybody. Only by struggling and sweating, youll attain success and luck, youll enjoy a high-standard life. It just as old saying goes “As you sow, so shall you reap.” As far as I am concerned, I agreed the latter. Thus, in order to get master degree, Im paying painstaking on my lesson. In other words, the hard you work, the much progress you get. Obviously, from what has been discussed above, we can safely draw a conclusion that fate is equitable to every one. Through struggling, youll achieve you goal and good fate.改改应该能用
这个题目不是很容易 百度搜索索尼论文 我写论文搜索了不少汉语 做参考的
一、培养学习英语的兴趣 爱因斯坦曾经说过：“兴趣和爱好是最好的老师”。浓厚的学习兴趣，可以使人集中力量，深入思考。如果让你去做一件你毫无兴趣的事，你根本无法做好，任何事如此，英语学习也不例外。 有的同学说：“我天生就对英语没兴趣。”此言差矣。须知，有些兴趣并非与生俱来，而是后天培养的。为什么不试着通过你感兴趣的东西去靠拢你无兴趣的英语学习呢？例如，有人喜欢音乐，有英文歌曲；有人喜欢看录像带，有中文字幕的录相片……千万别把英语只理解成枯燥的单词、语法，千万别把英语学习当成一种负担。 培养学习英语的兴趣，这是学好英语的第一步。 二、单词记忆的几种方法 英语单词是整个英语学习的基础，如何掌握好每个单词的发音和书写是摆在我们面前的一个重大问题。以前我记忆单词没有什么好方法，只会死记硬背，不但记得不熟，而且记住的还容易忘记，效果自然不好。后来，多次请教老师，寻找课外资料，在不断的实践中，记忆单词的能力有了很大的提高，还总结了几种记忆单词的方法： 1.由音及形法。 即弄清这个单词中的字母或字母组合的发音,根据读音写出相应的字母及字母组合.这样既可以使我们准确发音,又能较容易地记住单词拼写. 2.分类法。把学过的单词按其属性分门别类串在一起记。例如季节：spring 、summer 、autumn 、winter学科：english、maths、physics history、 chinese……颜色：red、yellow 、white 、black、 green…… 3.联想法。利用词与词之间类似之处进行对比，利用词与词之间的差异进行分析辨认。这不仅能加深我们对新词的印象，还同时巩固了旧词。例如： 近形近音plane-plant-plan-planet 同义词big--large、tall--hight、perhaps--maybe 反义词heavy--light、left--right、return--borrow 词的搭配look at--look for--look up--look after 单词，犹如万仗大厦的基石，学好单词，在英语学习过程中又迈出了一大步。 三、多听多说，提高听说能力 听说关，是英语学习中又一大难题。我们学习英语的目的就是为了交际。如果听说关过不了，就真的成了“哑巴英语”。 关于听力，没有别的途径，只能多听录音带，听什么？当然是我们教科书配套的音带，仔细听发音，揣摸朗读者的语调，跟随他的语速。在此基础上选择一些课外练习，最好是英文原版语速稍快的。 背课文是一个虽枯燥，但却十分行之有效的方法。初中时，英语王老师就常对我们说：“读和背是不同的，背过的课文印象深，里面的句子换了词也能张口说出，就会逐渐形成一种语感”。多开口讲，是一种锻炼的好方法。不要怕出错，说出的错误可以改，不说有错永远也改不了。多与同学用英语交谈，一句、两句慢慢慢发展。再有，不要管对方会不会英语，听得懂听不懂，也可以对他说，这样是不是会更大胆，更自然呢？这也是一种锻炼。 四、写英语日记是学习英语的好方法 俗语道：“拳不离手，曲不离口”。把所学的知识用在自己的英语日记中，久而久之，可大大提高自己的英语水平。 诚然，我们学的英语还很有限，但作为复习性的将所学句型、词汇串联起来，进一步扩大，表述我们的思想，我们还是可以写好英语日记的。但要注意的是： 1.持之以恒。一两天的努力看不出什么进步，只有长期的坚持才能有大的收获。 2.忌“生”、“繁”。

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